the cultural landscape of Spain in that era, making it a fascinating read for those interested in historical commentary. The beginning of the collection offers insights into the motivations behind publishing the articles, with reflections on the state of freedom of expression in Spain at the time. Fígaro, the narrator, shares his desire to write about the theater and society, while expressing doubts about his own abilities and the reception of his work. He introduces himself as a witty observer of life, keen to explore themes of jealousy, the nature of theatrical performances, and the challenges faced by writers and actors in a transitioning society. This introduction sets the stage for the various articles that follow, which delve into the intricacies of personal relationships, theatrical critiques, and the socio-political climate of the period, all woven together with a characteristic sharpness and humor. (This is an automatically generated summary.)